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Measures: 20 - 35
Play Time: 2:10 - 3:20
Unique Notes: > 20
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Opera
In diesen heil’gen Hallen
rdr713
2:23 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 32 1 6 100%
Bass 20 30 1 3 92%
Bass Bass 13 0 1 5 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 32 1 6 100%
Bass 20 30 1 3 92%
Bass Bass 13 0 1 5 91%
 
Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.
Aquarius-Ru
2:24 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
 
Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 4 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 5 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
Waldes Morgenpracht from Parsifal (Vocal Score)
malvinrisan
2:17 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 31 9 9 89%
Bass 25 5 10 9 91%
Voice Bass 12 0 4 7 72%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 31 9 9 89%
Bass 25 5 10 9 91%
Voice Bass 12 0 4 7 72%
 
"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)
edward.maurath
2:57 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
Violoncello Bass 22 1 4 7 100%
Mirtillo 15 0 5 8 85%
 
Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}
Jamie Holdham
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
View all 27 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
12
VIOLONCELLE.		 Bass 24 0 10 5 70%
1
CONTRABASS- TUBA.
(C.)		 Bass 6 0 1 3 67%
2.u.3.
(B.)		 Treble 18 21 7 5 66%
12
BRATSCHEN.		 17 0 4 5 57%
1. 3
gr.FLOTEN.		 Treble 9 1 3 5 56%
2
Tenor.
(B) 4
TUBEN.		 Treble 7 2 3 4 53%
2.u.3. Treble 12 10 4 5 48%
Treble 8 6 1 5 52%
Bass 6 0 2 4 33%
1.
(B.) 3
CLARINETTEN.		 Treble 17 0 5 3 52%
1
BASS- CLARINETTE.
(B)		 Bass 13 0 5 4 52%
3.u.4. Treble 15 14 8 5 52%
2
Bass.
(F.)		 Bass 5 4 1 4 50%
3. Bass 15 1 4 5 50%
1.u.2. 4
HORNER.		 Treble 15 12 8 5 48%
ENGLISCHES
HORN.		 Treble 5 0 2 5 48%
Violins Treble 24 0 9 5 48%
1. 3
TENOR-BASS- POSAUNEN.		 7 4 1 4 47%
16
erste 32
VIOLINEN. 16
zweite		 Treble 22 0 10 4 44%
1.u.2. 3
FAGOTTE.		 5 2 2 4 44%
1
BASS-TROMPETE. (Es.)		 Treble 13 0 5 4 44%
1. 3
HOBOEN.		 Treble 4 0 0 4 41%
1
CONTRABASS- POSAUNE.
(C)		 Bass 4 0 0 4 33%
8
CONTRABASSE.		 Bass 5 0 0 4 26%
1.
(Es.) 3
TROMPETTEN.		 Treble 3 0 3 4 22%
2.u.3.
(Es.)		 Treble 4 2 3 3 15%
Pauken. Bass 2 0 1 1 7%
 
"Sol dal brando," from "Rinaldo," HWV 7
edward.maurath
2:43 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 43 7 6 100%
Bass 23 31 5 6 100%
Violoncello (Continuo) Bass 19 0 4 5 100%
Alto
as Goffredo		 16 0 5 7 77%
Contrabasses Bass 16 0 1 4 77%
Violini Treble 16 0 1 4 77%
Violoncellos Bass 16 0 1 3 77%
 
"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:34 Est. Play
Time
27 Measures
1,274Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
Harp Contnuo Treble 21 42 3 6 96%
Bass 18 14 2 5 96%
Contrabassi Continuo Bass 14 0 1 5 96%
Violini 1 Treble 19 0 2 6 96%
Violini 2 Treble 19 0 2 6 96%
Violoncelli Continuo Bass 15 0 1 5 96%
Violoncello Continuo Bass 15 0 1 5 96%
Cornelia Contralto 10 0 2 5 78%